Started watching the material from the 1st lessons of The Art of the MOOC, and they mentioned this piece by Nina Katchedourian, Stephen Matheson, and Mark Tribe, and WOW.
Nina Katchedourian – Geneology of the Supermarket
“The Genealogy of the Supermarket interrelates people who appear on common products in the grocery store and organizes them so that they appear to be members of one large family.”
“A “world view” of extreme and almost paranoid interconnectedness emerges. As with many of my map works and chart pieces, the project seems to suggest some underlying coherent research or guiding principal, but the piece ultimately speaks more about taxonomy itself.” — source
“On the other side of the hedge, however, reality is ours. It is the absolute condition of all existence. The plants that grow there are real because we want them to be. If we find them intact in our memories, the same as when we saw them before, it is because we have invested them with the image that we have of them, with the opaque skin of our own confirmation… Motionless, imperishable, isolated in an imaginary void, they seem to throw out a challenge to the ecological vortex that surrounds them….
“There are plants, for instance, that appear clearly in photographs but are imperceptible to the naked eye. Some violate the normal rules of perspective, looking the same size however close or far they may be from us. Others are colorless, but under certain conditions reveal a profusion of colors of exceptional beauty. One of them has leaves with such a tangled maze of veins that it caused the extinction of a voracious insect that at one time had threatened the vegetation of an entire continent…
Brandon Keim: Thoughts on Taxidermy, Fashion & Bighorn Sheep
“There are at least two distinct currents to this mainstreaming of naturalia. Label one the Nineteenth Century Explorer: Spiced with steampunk, evoking an age of mannered discovery, gentleman adventurers launching expeditions and returning with tales to delight drawing-room crowds. A spirit of mechanical marvels and curiosity cabinets, maps drawn well but incompletely, of biological ephemera and naturalists’ drawings…..
“…..A psychic escape from the pervasive sense that no space on our map remains blank, that civilization has filled its container and is pushing back inwards. A need for nature in denaturalized lives…..Or maybe the meaning is not so dark. Maybe naturalia frames emerging appreciations of urban and suburban ecologies, or a sense of new, as-yet-unfilled maps arising in digital and social space, freed from old topographies.”
“…..A sign, a signifier, a t-shirt drawing of a deer based on an image found in the first page of Google’s image search. And I can’t shake the feeling that naturalia debases nature, turns animals into objects, renders our beautiful, extraordinary living world and its inhabitants as aesthetic commodities with no more or less meaning than paisley or a bright colorway. It’s life as accessory.”
From Celestial Empire of Benevolent Knowledge, an essay by Jorge Luis Borges:
“The oriental tome organises animals into categories thus: (a) belonging to the emperor, (b) embalmed, (c) tame, (d) sucking pigs, (e) sirens, (f) fabulous, (g) stray dogs, (h) included in the present classification, (i) frenzied, (j) innumerable, (k) drawn with a very fine camelhair brush, (l) et cetera, (m) having just broken the water pitcher, (n) that from a long way off look like flies.”