Two new great new items to share this month:
Carol Devine’s “Discard/art Svalbard Floating Exhibition” on Maptia
Jeff Reuben’s write-up of the Chance Ecologies show for Untapped Cities
Two new great new items to share this month:
Carol Devine’s “Discard/art Svalbard Floating Exhibition” on Maptia
Jeff Reuben’s write-up of the Chance Ecologies show for Untapped Cities
GYRE: Our Plastic Ocean is now on view at the USC Fisher Museum of Art in Los Angeles through November 21st.
Here are some snapshots of my project for In-Site, including a few of the installation process. These are all enlarged images of weeds from South Orange, wheatpasted onto nearby buildings. Will be editing documentation soon!
As a sculptor, my artistic strategy involves re-contextualizing existing elements: presentation rather than representation. My process is resourceful, responsive, and playful. I spend as much time researching, exploring sites, and scavenging for materials as I do making.
I often work with junk and junk-spaces: materials and places that are overlooked, untended, and thus host to numerous extraordinary possibilities; places where artifacts accumulate and history is most visible. I am also interested in the intersection of nature and culture, including the varied representations of plant-life for commercial and decorative purposes.
I produce public interventions, work for traditional gallery settings, web-based projects, and publications. I learn different things from each way of working.
A little preview …. still editing / waiting for documentation of my second project for the Upvan Art Festival, supported by FCA’s Emergency Grant. A little sculpture installed on a tiny island in the lake, via paddleboat.
Here are some video clips from the installation — one of the most surreal installations I’ve experienced.
During my time in Thane, I took a brief trip to Borivali, Mumbai to give a slide lecture at Cona, a space run primarily by Shreyas Karle and Hemali Bhuta. We had a nice conversation about public art in an Indian vs. western context, and I answered questions from students about finding one’s way as an artist and the creative process.
Shreyas printed these beautiful invitation cards for my lecture, which he titled “reconciliation of the opposites”.
https://foursquare.com/v/upvan-lake-thane-maharastra/4b5d250ff964a5206d5429e3
I like these square tree barriers/corrals/enclosures.
Uh oh
And the comments!
On view at Interstate Projects for another couple weeks. Here are a few favorite pieces:
RICHARD’s co-authored catalog of anonymous entries experiments with the idea that thinking of readymades as capital “A” art might be less interesting than observing how their production and dissemination works (or could work) in everyday life.