Picture 6

I propose to create a group of 3 to 5 giant flowerpots sunk into the ground, the largest of which could be anywhere from 8 to 15 feet in diameter and 2 to 3 feet tall. These would actually be low, circular walls, and the bottom of the pot would be implied. The walls could also function as public seating.

The lawn would continue to be maintained as usual outside of the flowerpots, but the interior space should be left un-maintained, a wild space for the duration of the exhibition. If possible, I would love for some of the pots to contain existing trees or shrubs.

My material would be concrete, and I would stain it to mimic a terracotta color. I would like to add recycled concrete aggregate to my concrete mix to benefit both the environment and my budget. At the close of the exhibition, I will bring these forms to a local recycling facility to be turned back into aggregate for reuse.

My expenses will include concrete, recycled concrete aggregate, stain, plywood for building forms, and transportation of materials. This would be a relatively affordable project using humble materials, and I’m sure I could realize it within the allotted budget.

These whimsical sculptures invert what normally happens in flowerpots: here, domestication happens on the outside of the pot while attention and maintenance are withheld from the interior area, allowing additional plant species to take root and reveal their potential. These discrete islands of wilderness will take shape over time and the seasons, recalling Alan’s Sonfist’s Time Landscape.

This installation will act as a foil to the domesticated areas of the park, a pocket of wilderness and biodiversity, encouraging viewers to look at the overlooked and to be aware of the complex wilderness growing in the peripheries. It draws attention to what is undervalued from our daily urban environment, how our value systems interact with both humans and non-humans, and, as Gary Snyder wondered, “where do we start to resolve the dichotomy of the civilized and the wild?”

I have been working with weeds over the past year, and I am looking forward to realizing this new idea, which I believe builds on my recent work. I am excited by the economy of this gesture and the way it plays with scale.

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